Friday, March 25, 2011
If you're hoping that the HR people [casting directors and associates] you sent your resume to are about to pick you, it's going to be a long wait. Once you understand that there are problems just waiting to be solved, once you realize that you have all the tools and all the permission you need, then opportunities to contribute abound
(from Seth's blog).
Monday, March 21, 2011
Peter Brook on Classics
If a classic is something from the past, to be honored because it's from the past, it's like eating a canned fish or something beyond the stop date. And the only way that a classic should be staged is because you've discovered, or you believe, that it is still alive
(from the Boston Globe).
Thursday, March 17, 2011
Chess and Acting
You don't need to know how to play chess to follow this, I promise. Just the rules of winning: chess is won by threatening the other person's king without leaving the king an escape (putting their king in checkmate). That is how simple it is to win, simple but not easy. Having a single goal makes things more clear.
Theoretically, in chess, you can lose every other piece other than your king, you can be in a terrible position, make what look like bad mistakes, errors, and dumb moves, but as long as you get the other king checkmated before they do it to you, you win. Everything is unimportant other than that one goal. When I focus on the single goal, I do better; when I get caught up in smaller details, like focusing on my piece that is in danger or that I can take one of their strong pieces, I don't do as well.
Acting careers are helped by such clarity, if you know what your goal is. The rules of chess make one clear objective that is more important than any other. Not only can it focus you, but can relieve the anxiety or heartbreak of what seem like setbacks. Actors define what career success is for themselves.
What looks bad may be very good - having something that looks like a loss may actually be a good thing. Good and bad things are measured by the goal they serve or hinder. In chess perhaps your opponent takes one of your very useful pieces off the board. This looks bad, like a loss. And it might be. But it might be that by taking the piece they took, they opened up your opportunity to trap their king and win the game. In acting perhaps you did not book a role, or sign with an agent (or even got dropped). It might be exactly what best lets you get where you want to go.
It is too soon to tell right after something "bad" happens whether or not it's the very thing that lets you accomplish what you set out to do. Patience helps in chess, and because of the rules, only the final winner "counts." Patience helps in acting, and because we make our own rules (beyond science and the law) we may come to see a "setback" as a gift.
Every actor's path is different, and until it is followed there is no way to tell if the actor is heading where they want to go, or is closer to it. The keys may be to know what you are trying to accomplish more than anything else and to keep moving toward it.
Wednesday, March 16, 2011
Resume as only PDF is fail
I've noticed a disturbing number of actors' websites offer their resume only as a PDF. This is not a good idea. A PDF as a printable option is good, but as usability studies suggest, PDF as the only option for a resume is a bad idea. If you'd like help with your site or any of your online presence please let me know. I also sometimes blog about internet strategy in a more general sense as well.
Wednesday, March 09, 2011
Rule Breaking Headshots
We want YOU. We want the shot to be a window into your soul, giving us the essence of who are you. We believe the future of headshot photography, will become similar to your facebook shot. That is the shot that your friends and family comment on by saying, "that is so YOU." The headshots we are attracted to are UNTRADITIONAL. They don't follow "rules." In fact, sometimes we can't even see the actor's eyes; but we know who that person is. And we know we have to bring them in, because we are interested in meeting the guy with the guitar, or really intrigued with the woman who has the shoe in her mouth
(from 5 Things to Make or Break Your Film and TV Acting Career by Rick Pagano and Russell Boast, via Lia Fischer).